Released, 'Blue My Mind' stars Luna Wedler, Zoë Pastelle Holthuizen, Regula Grauwiller, Georg Scharegg The movie has a runtime of about 1 hr 37 min, and received a user score of 68 (out of 100
BlueMy Mind (2017) - News - IMDb ~Blue My Mind review: The teenage girl transformation to woman gets another genre slant in this Swiss-German fairytale. Blue My Mind review by Kat Hughes. Blue My Mind Review Over the last few years genre cinema has developed a trend for telling their tales through the female teenage experience.
BlueMy Mind is another in the burgeoning sub-genre of pubescent transformative features. The Canadians struck rich gory glory with the Ginger Snaps series where young women turned into werewolves. This Swiss movie replaces the werewolf story with a mermaid, which brings to mind an unsettling re-creation of Splash as bizarre body horror.
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HitachiSeaside Park: This Park BLUE My Mind :) - See 1,230 traveler reviews, 3,339 candid photos, and great deals for Hitachinaka, Japan, at Tripadvisor.
Homesllop, nedadors amfibis, bestieses del bosc - pel·lícules com Blue My Mind, sobre exploracions corporals basades en canvis juvenils que no es poden contenir. La directora Lisa Brühlmann no se centra en atacs animals viciosos, ja que Wildling o bé El Lure fa, coincidint més amb alguna cosa embriagadora com Quan somien els animals .
. If you think you’ve seen everything the coming-of-age narrative style has to offer, you haven’t seen director Lisa Bruhlmann’s fantastical, surreal debut film, Blue My Mind, which premiered at IFC’s What the Fest!? tonight. The story follows Mia Luna Wedler, a 15-year-old late-bloomer who is trying to make an impression on the cool girls at her new school. After a few fruitless attempts, Mia finally catches the attention of Gianna Zoë Pastelle Holthuizen, the leader of the clique and a lawless party girl with whom Mia is completely fascinated. As she earns her way into Gianna’s good graces, Mia must also come to terms with experiencing puberty and its effects on her rapidly transforming body. With these changes come new urges, desires, and disturbing, unsavory habits. Mia is coming into her own, despite her many efforts to thwart the terrifying process. Although Blue My Mind doesn’t completely reinvent the wheel, the story can only be described as unique. A mix of Ducournau’s Raw sans cannibalism with a healthy dose of Hardwicke’s ever-controversial Thirteen, Bruhlmann manages to weave a harrowing, compelling tale of self-discovery, friendship, and trying desperately to appear average despite glaring, bizarre differences. Relatedly, Mia experiences several rites-of-passage we’ve seen in countless films before, yet Blue My Mind feels as unpredictable as if this were the first story of its kind. While Blue My Mind is a drama at its core, the film introduces enough body horror elements to keep genre fans satisfied. Beyond that, the terror is not found in the film’s imagery. Instead, it stems from the anxiety the audience shares with Mia as she discovers her body may be taking on unexpected qualities, as well as finding herself in increasingly dangerous situations. We are taken on a gripping ride of teenage alcoholism, drug abuse, risky sex, and excessive partying, and through it all we grow to care for Mia more than she cares for herself. Not to be overlooked is Luna Wedler as the extraordinary Mia. Wedler succeeds in maintaining a key balance between vulnerability and fearlessness. There are moments when we can see the scared girl behind Mia’s cool facade, and moments, too, where we see the headstrong child beneath the mature exterior. Mia is just trying to live life on her own terms, in spite of nature’s plans for her, and Wedler gets this point across admirably. This role could have been laughable and over-the-top if left to the devices of a less savvy actress, but Wedler takes on Mia’s challenges with no signs of reservations, delivering on all counts. Not only is she believable, but she is engaging and mysterious, keeping viewers tucked snugly in her pocket throughout the film. Rich cinematography although a bit too on-the-nose with the use of the color blue comes together with excellent special effects and makeup to bring us this inspired piece of filmmaking. Visually, Blue My Mind is equal parts beautiful and wonderfully repulsive. Even in scenes where not much is happening, such as a moment when the two girls are passed out on a train platform, the shots are composed with style, care, and attention to detail. The eyes of those who see this film will, undoubtedly, be wandering around the screen, taking in the artistry of each frame. Blue My Mind is a prime example of a film which transcends genre and succeeds no matter which avenue it explores. Mia’s story is strange, fascinating, and, at times, brutal. Those open to an outlandish twist on a body horror-lite film will be captivated by this stunning debut. The film is premiering at IFC’s What The Fest!? on March 31, 2018 Warning Trailer contains a major plot spoiler.
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by Lisa Brühlmann synopsis15-year-old Mia faces an overwhelming transformation which puts her entire existence into question. Her body is changing radically, and despite desperate attempts to halt the process, Miais soon forced to accept that nature is far more powerful than she is. international title Blue My Mindoriginal title Blue My Mindcountry Switzerlandsales agent Be for Filmsyear 2017genre fictiondirected by Lisa Brühlmannfilm run 97'screenplay Lisa Brühlmanncast Luna Wedler, Zoë Pastelle Holthuizen, Nicola Perot, Regula Grauwiller, Georg Scharegg, Lou Haltinner, Yaël Meiercinematography by Gabriel Lobosfilm editing Noemi Katharina Preiswerkart director Marlen Grassingercostumes designer Laura Lochermusic Thomas Kuratliproducer Stefan Jäger, Katrin Renz, Filippo Bonacciproduction Tellfilm, Zürcher Hochschule der Künste ZHdK, SRF - Schweizer Radio und Fernsehendistributor Frenetic Films
Your Gateway to the Trends and Tropes of the Horror Genre Eric’s Review Blue My Mind 2017 ★★★1/2 out of ★★★★★ Directed by Lisa Brühlmann Two great tastes that go great together Teen coming-of-age movies and body horror. Blue my Mind explores a Swiss girl’s trying to fit into a new school while slowly metamorphosing into something beastly. It’s a natural combination. The fear of monstrous body changes both normal and highly abnormal. Mia Luna Wedler, Streaker doesn’t know it yet, but she’s a mermaid, and as her subtle behavioral and physical changes, her self consciousness gets the better of her and she keeps these things a secret. For all the women out there who ever wished they had the Ariel experience in reverse, well this might dissuade some of those thoughts. Mia is also going through a rough patch with her parents, bristling at their simple questions, and she is desperately wanting to be part of the cool kids’ clique at her school. And as is true with many girls coming of age films, these young women are capricious, cruel, and undeniably pretty and petty. A similarly themed movie that I recently watched, Mon Mon Mon Monsters!, had similar themes of the outcast trying to become one of the cool kids. Unlike that Taiwanese film, however, Mia manages to win over the bad girls of her school. The naughtiness of risk-taking and boundary-pushing comes naturally to Mia, and she quickly wins over the alpha female of the pack of mischief-makers, Gianna Zoë Pastelle Holthuizen, who is brazen, beautiful, and controls the social dynamic of their school. Soon, Mia and Gianna are bonded, trusting each other as they engage in drugs, sex, and well… more drugs and sex. Eventually, though, Mia’s metamorphosis becomes something difficult to hide. She confides in a doctor, but that becomes a dead-end, and she confronts her mother believing her mom and dad are not really her parents, and there are suggestions through the storytelling that seem to lend credence to her suspicions. She resists her early forms of transformation, such as cutting out the emerging webbing between her toes OUCH! and hiding her legs that are beginning to bruise, molt, and generally look like a horrific massive rash. Thematically, the film reminds me a bit of Ginger Snaps. A teenage girl finding her way through her emerging sexuality at the same time as she’s going through a bestial transformation. These films cry out with the “What’s happening to me?!?” moment that stokes the hormones and fears of adolescent girls everywhere. The movie also bears the marks of the current wave of European horror films, like Raw, Goodbye Mommy, Beast, and Let the Right One In. These are largely quiet films, dramatic studies first, that draw the horror out slowly. In fact, I would suggest that this is actually much more of a very dark fantasy tale rather than a true horror movie, as Mia is more of a risk to herself than she is to others. This film was featured at last year’s Overlook Film Festival, and though light on the violence and gore, there is plenty of “ick” factor, and it proved that it belonged in that collection of genre titles that Overlook curated. This is director Lisa Brühlmann’s first feature film, and it immediately launches her into a director to watch going forward. When a director comes out with a coming-of-age film early in their careers, you have to suspect there is a bit of an autobiographical edge to it. And, in an interview with the website MEAWW, she reveals that she took a lot of her own life experiences, and the shame and aggressive self-destructive behavior. The movie left me feeling cold, and I don’t know that I ever really enjoyed the movie, though it kept my attention. This movie has a whole lot of lonely built into it, and at the conclusion, that feeling is pervasive. Her transformation complete, you wonder what the rest of Mia’s life will be like. The scariest parts of this movie also had nothing to do with her physical change into a creature, but instead, with some of the terrible decisions Mia makes with drugs, booze, and sex. Though the movie features teenagers, be warned, this is not a movie particularly suited for impressionable young teens. There is definitely a hard edge to this film. Both Wedler and Holthuizen both exhibit great charisma and can hold a frame exquisitely. The Swiss movie industry isn’t exactly a juggernaut, so I would be curious to see if either of these actresses start seeing work in more widely distributed films from France, England, or the US. I would be curious to know what our female fans think of this movie. I suspect it is a much more compelling movie for women than men, as the themes are so very tied to female fears. Blue My Mind is Rated R, for strong sexual content, drug use, and language. It is available for streaming on Amazon. Categories ReviewsTags Blue My Mind Review, body horror, Lisa Brühlmann, Luna Wedler, Mermaid Horror, Mermaid transformation, Swiss horror movie, Teen Coming-of-age horror, Zoë Pastelle Holthuizen
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